My Experience on a Performance Tour

During my junior year of undergraduate studies at Queens University of Charlotte, I received the privileged opportunity to travel as a member of the university’s Chamber Singers on tour to the Czech Republic and Poland. My initial response to the news of this ground-breaking trip consisted of both intrigue and fear. Foremost, my most intense fear in life was traveling, particularly flying, and also, I questioned why anyone would ever want to travel to Poland or the Czech Republic. Both destinations sounded so boring to me. I soon discovered, after months of anxious anticipation, that this journey not only fostered many of the most beautiful memories I’ve ever made, but ultimately changed the entire course of my life.

I quickly forgot my fear of flying as I settled in to the plush cozy seats of the large Lufthansa plane, eagerly surfing the channels of the personal television embedded into the headrest in front of me. Three feature length films later, we safely landed in Europe, without a single moment of frightened tantrum on my part. Our first stop was Prague. I didn’t know much about the “Golden City” prior to stepping foot there, but I quickly fell in love.

We toured the Mozart Museum, where all the literature I was forced to read for music history class suddenly came to life. We strolled through the Prague Castle in utter amazement of the stunning architecture, historic relics, and breathtaking view of the “City of a Hundred Spires.” We wandered the Town Square, enjoyed the sweet scent of fresh baked goods wafting through the open air of the outdoor market, and gazed in delight at the marvel of the Astrological Clock. We enjoyed a dinner of traditional Czech delicacies before being set free to experience free time as the locals would.

Our second day in Prague marked our first official European performance. We offered our humble talents to a packed audience in the St. Climent Presbyterian Church. The rustic stone building produced acoustics of which many musicians only dream. We had the honor of performing a traditional Czech folk song, to which every sweet little elderly woman in the crowd sang along. The thought of that moment still brings a smile to my face and a tear to my eye. I wished our short-lived time in Prague could have lasted forever, but we soon moved on to Wroclaw, Poland, one of Charlotte’s eight Sister Cities throughout the world.

Since Wroclaw and Charlotte maintain official political ties, our group consisted of members of the Charlotte-Mecklenburg City Council and the Charlotte International Cabinet, in addition to our all-girl choir. We performed official concerts for the Wroclaw city government, including a luncheon at the 14^th century courthouse in the town hall.

During our stay in Wroclaw, we experienced an exchange interaction with a local collegiate choir, the Angelus Choir, with whom we performed multiple joint concerts, one of which took place in their own school. Collaborating with the Angelus Choir students was by far my favorite performance of the entire trip. They guided us through town, took us out for dinner and gelato, and showed us the culture of typical Polish university students. I am proud to say that, through the wonders of Facebook, I still call many of these students my friends, and will hopefully see them again very soon.

Poland not only gifted us with new foreign friends, but also brought our group emotionally closer, as we enjoyed the frantically entertaining atmosphere of multi-bedded youth housing. Our first night in Hostel Wroclaw on Chopin Street was the hardest I’ve laughed in my whole life, and even though I’ve graduated and moved on, those girls are still some of my dearest friends.

As I mentioned earlier, my European performance tour not only provided lifelong cherished memories, but also changed the course of my life. During our adventure, I conveniently networked with the Executive Director of the Charlotte International Cabinet who accompanied us on our journey to attend to official Sister City relations. This communication landed me an internship with the Charlotte International Cabinet for the following school year. Luckily for me, Sandra Weinacht, the CEO of Incantato Tours, serves on the board of the Charlotte International Cabinet, and, to make a long story short, my internship supervisor put in a good word, ultimately assisting in attaining my new position on the Incantato team. Now I'm excited to have the opportunity to provide others with an equally amazing experience.

Needless to say, I’ve overcome my fear of travel.

Courtney Williams,

Incantato Tours

Queens University of Charlotte Chamber Singers Alumni

Incantato Destinations: Leipzig, Germany

Leipzig, with a population of approximately 519,000, is the largest city in the federal state of Saxony, Germany. Since the 17^th century, Leipzig has reigned as a major European center of learning and culture, thriving especially in the fields of music, astronomy, and optics.

Leipzig later played a crucial role in the fall of communism in Eastern Germany, through events taken place in and around the Saint Nikolai Church. Following the Reunification of Germany, Leipzig underwent significant change with the restoration of historical buildings and the development of a modern transportation infrastructure. In 2006, the city hosted key matches during the World Cup.

Leipzig was ranked 35^th of 265 world cities for cultural, economic, and social innovation in 2009. The following year, the city earned the rank of 68^th highest quality of life in the world.

First documented in the 1015, Leipzig has fundamentally shaped by the history of Saxony and the nation of Germany. The city has always held a reputation as a place of great commerce. The Leipzig Trade Fair remains the oldest, and most internationally important, trade fair in the world since its beginning in the Middle Ages. Leipzig probably receives most if its international recognition, however, for its rich and diverse musical history.

Johann Sebastian Bach famously worked in Leipzig from 1723 to 1750. 1813 marked the birth of composer Richard Wagner in Leipzig. Felix Mendelssohn established Germany’ first conservatory of music in Leipzig in 1843, and personally invited Robert Schumann to study there. Gustaz Mahler served as conductor at the Leipzig Theater from 1886 to 1888 where he received great acclamation for completing and presenting Carl Maria von Weber’s opera “Die Drei Pintos.”

The conservatory is now the University of Music and Theater, offering students a broad variety of both performance and education studies in all orchestral instruments, voice, interpretation, coaching, piano chamber music, orchestral and choral conducting, and composition. Musical styles studied at the University include jazz, popular, musical theater, classical, and sacred. The school also hosts a drama department offering classes in acting and dramaturgy.

The city’s musical tradition is also reflected in the worldwide fame of the Leipzig Gewandhaus Orchestra and the choir of the St. Thomas Church. Leipzig has offered for the past sixty years the country’s oldest “School Concert” program, presenting more than 140 concerts annually, educating and inspiring over 40,000 children through music.

Leipzig is also well known for its contemporary, independent music scene and subcultural events. Additionally, the Leipzig Museum of Fine Arts hosts a variety of worldly art, including the Neo Rauch retrospective that opened in April 2010. The New York Times praises Leipzig as the “the toast of the contemporary art world” in the past decade, featuring the city in the Top 10 of its “31 Places to Go” article published, in 2010.  

Leipzig hosts a multitude of annual cultural events throughout the year, including an a capella vocal music festical, Bachfest in honor of Johann Sebastian Bach, the city’s famous holiday Christmas Market, Jazztage contemporary jazz festival, Stadtfest city festival, and the Pop-Up independent music trade fair and festival.

Quire of Voyces Italy Performance Tour 2010 - Highlights in pictures from Bob McGee

Mecklenburg-Vorpommern's rich musical history

Germany’s beautiful coast-lined region of Mecklenburg-Vorpommern offers historic castles, museums, and local culinary specialties plus a rich music history and lots of culture. It is here that one can experience the sound of rich classical music and famous operatic arias, and a lot of this cultural richness is the legacy of one monarch’s love of performing arts.
Queen Charlotte of Mecklenburg, consort of King George III, devoted much of her time and money to the advancement of music in this region. As a connoisseur and enthusiast of the great George Frideric Handel, Queen Charlotte had an avid interest in all German artists and composers.
In 1764, the Queen summoned, then eight-year-old, Wolfgang Amadeus Mozart to court in order to perform a special four-hour show to an intimate crowd of the monarch’s closest advisors. Mozart went on to publish six sonatas in 1765, simply entitled Opus 3, which he admirably dedicated to his supporter, Queen Charlotte, on the fifth anniversary of the King’s accession.
Johann Christian Bach, eleventh son of Johann Sebastian Bach, served as Queen Charlotte’s personal music master. To entertain the Queen and her court, the young Bach was often expected to play new and unrehearsed music at first sight.
The Queen not only enjoyed listening to magnificent classical works, but was also herself a talented musician. Johann Christian Bach often accompanied her as she sang various arias. She also fluently played the flute, which she once performed as Mozart provided the accompaniment. The influence of Queen Charlotte’s musical advocacy can be heard today in various forms throughout the Mecklenburg-Vorpommern region.
Summertime offers numerous open-air concerts, as well as Germany’s largest classical music festival. Festspiele Mecklenburg-Vorpommern occurs from June through September, presenting more than 100 various classical music performances, in venues ranging from established concert halls and country estates, to village churches and family barns. Acts include world renowned musicians, as well as developing young talent. Mecklenburg-Vorpommern is a great place for anyone who enjoys rich history, beautiful scenery, and classic music!
Photos of young Mozart, Johann Christian Bach, and Festspiele provided by Wikipedia and Ennus Photos.

The Diocese of Evansville's Pilgrimage to Bella Italia

This September, the Diocese of Evansville from Indiana is travelling to beautiful Italy. The custom-designed 10-day Pilgrimage and Performance Tour (09/21 - 09/30) includes visits to Venice, Padua, Florence, Siena, Assisi, Rome and The Vatican. The travelers will perform and attend masses at the following venues: Chiesa di Santa Maria Goretti (Mestre), Basilica di San Marco (Venezia), Basilica del Santo (Padova), Duomo (Firenze), Basilica di Santa Croce (Firenze), Basilica di San Francesco (Assisi), Basilica di San Pietro (Cittá del Vaticano) and Chiesa di Sant'Agnese in Agone (Roma). Click here to visit the Incantato tour blog to learn more about the trip. To take a look at the Diocese's website, please click here.

Full House for the Carolina International Chorale at St. Michael's Church in Budapest

The Carolina International Chorale concluded its 2010 Incantato Performance Tour to Central Europe on July 2 with a finale highlight concert at St. Michael's Church in the heart of Budapest. The singers & string players from Chapel Hill, NC under the direction of Dr. Sue Klausmeyer were supported by local musicians from the Matyas Templon Orchestra and enchanted the audience with works from Mozart and Vivaldi along with a selection of American spirituals. A full house and lots of applause was the perfect ending for the 11-day journey that started in Prague and went via Cesky Krumlov, the Wachau Valley and Vienna (Austria) to Hungary.

Sunday, July 4 at 11 am: The Cornelia Connelly Musicians perform at the Pro-Cathedral in Dublin

On Sunday, July 4 at 11 am, the Pro-Cathedral in Dublin welcomes the Cornelia Connelly School Advanced Women’s Ensemble and Handbell Ensemble from Anaheim under the direction of Brian Dehn. St Mary's Church (Irish: Leas-Ardeaglais Naomh Muire), known also as St Mary's Pro-Cathedral or simply the Pro-Cathedral, is a pro-cathedral and is the episcopal seat of the Roman Catholic Archbishop of Dublin and Primate of Ireland.
Saint Mary’s was constituted in 1825 from Saint Mary’s Chapel Liffey Street, whose pre-Reformation monastic antecedent was the great Benedictine, and later Cistercian Abbey of Saint Mary’s founded in the twelfth century. The present church is built on a site which was part of the ancient monastic foundation. The church was dedicated on 14th November 1825, the Feast of Saint Laurence O’Toole, Patron Saint of the Archdiocese of Dublin under the patronage of the ‘Conception of the Virgin’.
Music has always been a central ministry in Saint Mary's Pro Cathedral. The Palestrina Choir is the resident choir of Saint Mary's Pro-Cathedral. It had its origins in a boys' choir formed in the 1890s by Dr. Vincent O'Brien, then a music teacher at St. Mary's Place Christian Brothers School in Dublin. It was at a performance of Palestrina's Missa Papae Marcelli at St. Teresa's Carmelite Church in Clarendon Street in 1898 that this choir came to the attention of Edward Martyn their founding sponsor. Martyn wished to promote the music of Palestrina which was espoused by Pope Pius X as a standard to which liturgical music should aspire. The Palestrina Choir was constituted and installed in the Pro-Cathedral on January 1st, 1903 with Dr O'Brian as director. In the century since its foundation, the Choir has had seven Directors. Dr Vincent O'Brien, Director until his death in 1948, was succeeded by his son, Oliver. In 1978, Fr Seán O hEarcaigh took over the baton from Oliver O'Brien. He was succeeded in 1982, by Ms. Ite O'Donovan and in 1996 by Comdt Joseph Ryan. Ms. Órla Barry was the Director from the end of 1996 to 2001. The current Director is Blánaid Murphy. Over the years the Palestrina Choir has attracted singers of high renown. John Count McCormack was a member of the Choir from 1904 to 1905. Many recent members are now distinguished soloists, most notably Emmanuel Lawler, who began his singing career as a boy soprano in the Choir. In recent years, the Choir has travelled widely, singing at many Cathedrals and venues throughout Ireland, Europe and North America.

Belcanto's finale 2010 European Tour Concert takes place at St. Michael's Church in Budapest on July 4 at 3 pm

On Sunday, July 4, at 3 pm, the singers from Danville, CA, are presenting their last formal concert in the heart of Budapest, at the beautiful baroque church of St. Michael.
Here is a short history of the finale concert venue for the ensemble under the direction of Mr. Bruce Koliha:
The Church of St Michael was built in the 18th century on the spot of a medieval dominican church destroyed during turkish wars. A temporary chapel was standing here between 1700 and 1716, present church was finished only by 1765. Figure of Virgin Mary adorning its frontal facade is considered to be created by Donner. Statues of Saint Dominic and Saint Thomas Aquinas carved by Joseph Hebenstreit also decorate this facade. The church had a vivid history in the XIXth century: although destroyed by fire and floods, it managed to survive and got restored. The latest restoration started in 1999. The single-naved church was decorated with ceiling frescoes and side paintings in the middle of the 18th century. The main altar, inlaid benches, furniture of the sacristy date back to 1760, they are works of Dominican monks. The main altar shows St. Dominic with Virgin Mary handing a rosary to him. Statues of important religious persons in connection with the Dominican order can be found around the painting. On the left: statue of Pope Pius V. and St. Antoninus, Archbishop of Florence. On the right: St. Augustine and Pope Innocent V. The first organ of the church was built in 1801 by organ builder Joseph Herodek which was entirely rebuilt by company Rieger in 1893. It was again renovated in 1951. Baroque statues depicting King David playing the harp and two angels are shown on the top of the organ.

Cornelia Connelly musicians participate in the activity day at Farmleigh House and Estate in Dublin on Sunday, July 4 from 1.30 pm on

On Sunday, July 4 from 1.30 pm on, the Cornelia Connelly performers will take part in the Family Fun & Fitness Day with a 4th July American Theme at the Farmleigh House and Estate in Dublin. Here is some information about the history of Farmleigh:
Farmleigh, an estate of 78 acres situated to the north-west of Dublin's Phoenix Park, was purchased from the Guinness family by the Irish Government in 1999. The house has been carefully refurbished by the Office of Public Works as the premier accommodation for visiting dignitaries and guests of the nation, for high level Government meetings, and for public enjoyment. Originally a small Georgian house built in the late 18th century, Farmleigh was purchased by Edward Cecil Guinness (1847-1927) on his marriage to his cousin, Adelaide Guinness in 1873. A great-grandson of Arthur Guinness, founder of the eponymous brewery, Edward Cecil became the first Earl of Iveagh in 1919. The first major building programme was undertaken in 1881-84 to designs by Irish architect James Franklin Fuller (1832-1925), who extended the House to the west, refurbished the existing house, and added a third storey. In 1896 the Ballroom wing was added, designed by the Scottish architect William Young (1843-1900). With the addition of a new Conservatory adjoining the Ballroom in 1901, increased planting of broadleaves and exotics in the gardens, Farmleigh had, by the early years of the 20th century, all the requisites for gracious living and stylish entertainment. Its great charm lies in the eclecticism of its interior decoration ranging from the classical style to Jacobean, Louis XV, Louis XVI and Georgian. In 2001 the Office of Public Works began the delicate job of restoring this magnificent estate. This was carried out with great delicacy and care so as the historical ambience at Farmleigh has been preserved as it assumes its new role on behalf of the Irish State.

Cornelia Connelly Concert Venue for Saturday, July 3 at 1 pm: St. Patrick’s Cathedral in Dublin

The Cornelia Connelly travelers will be the guests at St. Patrick’s Cathedral in Dublin on July 3 at 1 pm. Built in honour of Ireland’s patron saint, Saint Patrick’s Cathedral stands adjacent to the famous well where tradition has it Saint Patrick baptized converts on his visit to Dublin. A church was built on this site in 1191 and in 1991 they celebrated 800 years of worship. The present building dates from 1220 and during the years it had been extended again and again.
The Cathedral is today the National Cathedral for the Church of Ireland (Anglican). The basis of the present building was built between 1191 and 1270, though little now remains of the earliest work beyond the Baptistry. Much of the work was overseen by Henry of London, a friend of the King of England and signatory of the Magna Carta, who was also involved in the construction of Dublin's city walls and Dublin Castle. The tower (Minot's Tower) and west nave were rebuilt between 1362 and 1370, following a fire. In 1560, one of Dublin's first public clocks was erected in "St. Patrick's Steeple".
Throughout its long history the cathedral has contributed much to Irish life, and one key aspect of this relates to the writer and satirist Jonathan Swift, author of Gulliver's Travels, who was Dean of the cathedral from 1713 to 1745. Swift took a great interest in the building, its services and music and in what would now be called social welfare, funding an almshouse for poor women and Saint Patrick's Hospital.
The Choir School, which had been founded in 1432, supplied many of its members to take part in the very first performance of Handel's Messiah in 1742. It continues and although originally all-male, now also admits girls; a Cathedral Girls' Choir was founded in 2000 and sings once or twice a week. The Organ of St. Patrick's Cathedral is one of the largest in Ireland with over 4,000 pipes. Parts of it date from a Renatus Harris instrument of 1695. It was restored in the 1890s and in 1963.

Belcanto sings at the Benedictine Abbey of Goettweig (Austria) on Saturday, July 3 at 4 pm

The abbey is situated on the Göttweig Mountain and - because of its location - sometimes called the Austrian Montecassino. The Monastery founded in 1083 by Saint Altmann sits on a hill 449 m above sea level in the Dunkelsteiner Forest south of the city of Krems, on the eastern edge of the world-famous Danube Valley called the Wachau. With the Wachau, Göttweig was in 2001 placed on the UNESCO World Heritage List. And on Saturday, July 3, at 4 pm, Belcanto will be performing in the prestigious Stiftskirche pictured below.

At first, Augustines worked here, to be followed in 1094 by Benedictine monks from the Monastery of St. Blasien in the Black Forest. The Benedictines have been living, learning and teaching on Göttweig Mountain for more than 900 years. The goal of their life is to glorify God in prayer and work according to the Rule of their Order’s founder, Saint Benedict, the Patron Saint of Europe. Currently 54 monks belong to the monastic community. More than 30 of them give pastoral care to parishioners and pilgrims in the Dioceses of Vienna and St. Pölten. Forestry and viticulture have been the economic basis of the Monastery since it was founded - today completed by various touristic and economic efforts. For more information, visit the official website Benediktiner Stift Goettweig.

CIC finale 2010 European Tour Concert takes place at St. Michael's Church in Budapest on July 2 at 6 pm

On Friday, July 2, the musicians from Chapel Hill, NC, are presenting the last formal concert in the heart of Budapest, at the beautiful baroque church of St. Michael.
Here is a short history of the finale concert venue for the Carolina Chorale & String-Ensemble:
The Church of St Michael was built in the 18th century on the spot of a medieval dominican church destroyed during turkish wars. A temporary chapel was standing here between 1700 and 1716, present church was finished only by 1765. Figure of Virgin Mary adorning its frontal facade is considered to be created by Donner. Statues of Saint Dominic and Saint Thomas Aquinas carved by Joseph Hebenstreit also decorate this facade. The church had a vivid history in the XIXth century: although destroyed by fire and floods, it managed to survive and got restored. The latest restoration started in 1999. The single-naved church was decorated with ceiling frescoes and side paintings in the middle of the 18th century. The main altar, inlaid benches, furniture of the sacristy date back to 1760, they are works of Dominican monks. The main altar shows St. Dominic with Virgin Mary handing a rosary to him. Statues of important religious persons in connection with the Dominican order can be found around the painting. On the left: statue of Pope Pius V. and St. Antoninus, Archbishop of Florence. On the right: St. Augustine and Pope Innocent V. The first organ of the church was built in 1801 by organ builder Joseph Herodek which was entirely rebuilt by company Rieger in 1893. It was again renovated in 1951. Baroque statues depicting King David playing the harp and two angels are shown on the top of the organ.

Cornelia Connelly Women's Ensemble at St. Leonards-Mayfield: "Sing me to...

Performance and Get-Together: Cornelia Connelly performers meet the students of Priory School, Edgbaston, on July 1

On day 7 of their England and Ireland Performance Tour, the Cornelia Connelly School Advanced Women’s Ensemble and Handbell Ensemble will spend some time at the Priory School in Edgbaston to participate in the day of activities - including a performance. Priory School is a thriving, Catholic, independent school, which welcomes all faiths. The school was opened on its present site, in the heart of Edgbaston, in 1936 by the Sisters of the Holy Child, Jesus. It is two miles from the city centre, on a beautiful site comprising 14 acres of wooded gardens and grounds. The school is very well equipped with up-to-date facilities. From 2007, boys have been accepted into the senior school but taught separately in most core courses (eg languages and maths); boys and girls taught together for humanities (eg geography and history). The school aims to help dyslexic pupils, in particular, to achieve their full potential. Drama and art are well supported by a large number of pupils and the school was recently awarded an Artsmark Silver award. There is a range of sports, games and extra-curricular activities. A variety of outdoor pursuits is encouraged. Although a Catholic foundation, the school welcomes pupils from all faiths. The sixth form is being restructured and is due to reopen in 2011 offering the International Baccalaureate.